Swatching for Thompson River (and other) Socks

I do recommend swatching before you begin a pair of Thompson River Socks. These socks are made with a worsted weight yarn. The gauge and number of stitches will be different from what you might have used to make a typical pair of fingering weight socks.

The good news is that a swatch for these socks, even one made in the round, will not take very much time at all. A few weeks ago, in my post on my October Baable Hat Class, I wrote about making a colorwork swatch that simulates working in the round. For the Thompson River Socks, you may easily go one step farther, and actually knit a swatch in the round -- and you will even be able to try it on for size!

There are three sizes in the sock pattern. Each size has its own Cable chart. The three sizes have finished circumferences of 6 (7¼, 8¾)". The charts have 18 (22, 26) stitches.

How to swatch for Thompson River Socks:

1) Measure the foot circumference at the widest point. Typically socks have some negative ease. Usually a sock knit with a circumference of about 1" less than what the foot actually measures is ideal. (There is a good amount of tolerance on this.) The foot in the photo measures about 8½". The swatch measures 7¼". The same foot looked comfortable and cozy wearing one of the 7¼" sized magazine sample socks. 

2) Find the chart for the size you will be making. Double the number of stitches in the chart for the amount to cast on for your sock swatch. For the three sizes that will be 36 (44, 52) stitches. Cast on with the needles you will use to knit the socks. (These will be your favorite kind of needles to make a small round: two circular, double-pointed or magic loop.) Place marker and join to work in the round. Knit 1 round.

3) Next round: Work Cable chart over 18 (22, 26) stitches, place marker, knit to end of round. Continue in pattern for about 2½" Bind off all stitches.

4) Block, if desired, and try swatch on foot. The stockinette portion represents the sole of the sock, and the cable pattern portion the instep.

(You can apply this method to swatch for other socks, as well.)

When I was working on this design for Interweave Knits, Fall 2016, I made many similar swatches.

I do enjoy swatching. Why don't you give sock-swatching a try! ♥♥♥

Thompson River Socks will be the class project for a two-session Saturday afternoon class at Gosh Yarn It! in Kingston Pennsylvania, November 12 and 19, 1:00-3:00PM. 

November Classes... Thompson River Socks

I am really looking forward to teaching a couple of classes at Gosh Yarn It! in Kingston, Pennsylvania during the knit-crazy month of November.

My Thompson River Sock pattern was published in the fairly recent 20th Anniversary Issue of Interweave Magazine: Interweave Knits, Fall 2016. I was beyond proud to have my worsted weight sock design, with all of my own "favorite toe-up sock things", appear in this anniversary issue of the magazine.

Thompson River Socks will be the class project for the two session Saturday afternoon class, November 12 and 19, 1:00-3:00PM. Session One will begin with Judy’s Magic Cast-On, and include working the lower stripe and beginning the stitch pattern chart. The focus of session Two will be the heel (short rows) and the cuff (more chart reading and colorwork). The class will conclude with a demonstration of the recommended tubular bind-off. 

Ann has ordered yarn to make "kits" with the small yardage of "Cherry Red" yarn you will need. The kit yarn, as was used in my sample (which is now at the shop) is HiKoo-by-Skacel Sueño Worsted. The kits will include two skeins of #1310 Gray and a partial skein of #1322 Cherry Pie. This is enough yarn to make a pair of the 7” circumference (woman’s) or the 8-3/4” (man’s) socks.

Kits will be available (even to those not taking the class) any day now.

My next post will be on swatching for Thompson River (and other) socks. It will appear here very soon. Thanks for reading!    
  

October Class Swatching... The Baable Hat

I will be teaching a couple of classes at Gosh Yarn It! in Kingston, Pennsylvania this fall. The first will be this Saturday, October 22. (I know it is short notice, but there are still a couple of seats left.) The official title of this class is: "THE BAA-BLE HAT: Tips & Techniques for Stranded Knitting with Carolyn Kern".

The project for the class is the Baable Hat which was designed by Donna Smith for Shetland Wool Week 2015. It became the #1 queued pattern on Ravelry last year, with over 5600 projects posted. The pattern is written using an unusually tight gauge for a worsted/aran weight yarn, though; and many knitters ended up with hats that were larger than they expected.

The bad news is that I learned all of this after I agreed to make a GYI shop sample and teach a class. For my sample, I had to go down from the suggested US size 7 needle to a US size 3. The good news is that this gave me a brand new direction from which to teach a stranded colorwork class.

In the class we will be making a colorwork gauge swatch that simulates working in the round. We will review two-handed stranded colorwork technique, and I will demonstrate making a two color pompom with a Clover pompom maker. I plan to suggest a number of choices the students have to modify the pattern (such as those used by Susan B Anderson). There is no doubt that we will also talk about the newly released Baable cowl and mitten pattern by Donna Smith.

My sample colorwork swatch:

For this kind of a swatch (known as a speed swatch*) you knit all rows from right to left like you are working in the round. The yarn has to be carried behind the work for each row. This is what it looks like from the back.

*There is a reason for the name "speed swatch". Please join me in class this Saturday to learn more.
☺️

Continuing "Sparks" & Swatches

I re-wrote my last post many times before I published it.

It was a little bit agonizing, because I was trying to be honest about what I am not so good at; yet, I also tried to write a post that was (at least a little bit) worth reading.

As I wrote that post, I was reminded that I DO like to write about my design "sparks" and my swatches. A few of those posts have actually been my most popular.

My friend, Ann, took this photo of me wearing my first design sample for my new summer top.

  
Not so bad. I was "pleased" with the way this turned out. I have named it Pinstripe Box-Top #1. The shaping and sizing came out as planned.

This,

Alchemy Yarns, Silken Straw [100% silk], 153c - Spider Orchid

  
my yarn and it's color, were my real design "sparks". I first shared this photo with discussion of the colorway, Spider Orchid, in my Early Spring post.

For me the colors drew a comparison to the blue spruce trees (which have lightened in color with the heat of summer) in my front yard.

Not long after I decided that I wanted stripes on my summer top, I walked into Gosh Yarn It and I saw a great little yarn for my blue spruce stripes. I quickly knit the swatches in the first photo.

ITO, Gima 8.5 [100% cotton], 408 - Aqua

I am considering my Pinstripe Box-Top a prototype, and I am planning to make another with some Shibui, Pebble in my stash. I have made a bit of progress this spring and summer getting to a point where I can finally release a garment pattern.

I leave you with an image of the neckline and armhole details.

 

I hope your knitting of late has also been rewarding, enjoyable and successful! ♥♥♥

The Hat's on Me (Part 2)

I wear many hats as a knitting pattern designer.

The last part of every design release is what I tend to think of as "THE PROMOTION" and I need to get better at it.

FLORIBUNDA, (worn by me)

There are very many steps to writing knitting patterns...

1) THE SPARK!!! Some of my more popular blog posts describe design "sparks" and are worth revisiting:
Tartan Mitts Spark
Rosebud: My "Spark" & My Design Proposal
The Spark & The Reinvention: Opulent Cowl
Wearing my spark hat is all about creativity.  It is one of my favorite parts.

2) THE SWATCHING:  On occasion, the design begins with the yarn or a swatch made from the yarn... a swatch becomes my spark.
At other times, a "spark" leads to a swatch.
I have posted about swatching as well:
Some Things I Like
More of the Same 
I like to think of swatching as my R&D (Research & Development).  It is another of my favorite parts.

3) SKETCHES & SCHEMATICS and very often CHARTING:  Planning the design sample and how it will be made.

4) PATTERN ROUGH DRAFT WRITING & SAMPLE KNITTING:  The design sample gets made at this point... I write (most) parts of the pattern as I go. Sometimes I stop and do math, and sometimes I make new sketches. 

5) PATTERN WRITING:  With my finished sample and all of my notes and sketches around me, I write my "first best possible draft".
These last three steps can be challenging, but I love bringing my "sparks" to life. 

6) THE TECH EDIT:  I send my "first best possible draft" to my tech editor. My tech editor sends it back to me with at least one million edits. (Oh, my!) We send emails back and forth until we agree on all the edits.  (I always agree on most of them.)

7) PHOTOGRAPHY:  This is something I have been getting better at, but I still have a lot to learn. My models (recruited friends and family) work for free. Scheduling photo shoots (and locations) in various weather conditions can be a very bumpy process with prolonged delays.

8) FORMATTING:  In which I put the edited pattern and the edited photos together in a PDF document.
These last three steps are never easy, but I accept them as part of the process of pattern writing, and I have enjoyed learning more about them. 

9) RELEASING THE PATTERN:  Uploading my formatted and edited PDF pattern to Ravelry where I sell it. Then (the PROMOTION begins as) I create a pattern page on Ravelry with some release announcements in appropriate forums.

10) PATTERN PROMOTION:  This includes a blog post (here) and posts in some other social media places. (Right now I use Instagram and Pinterest.) I need to do more.

My last two patterns, JUST CHILLIN' and DOT ON, were also test knitted in a June Hat KAL at my LYS, Gosh Yarn It. I was grateful for that. I gave away several copies of each pattern for the KAL, which I do not regret.

Then I gave away even more hat patterns through an offer in a recent post, The Hat's on Me (Part 1). That was a promotional giveaway. But it has not helped me in selling any patterns. I kind of think it is better to get paid a fair price for my work. Next time I will stick to an introductory discount.     

My promotional hat is not my favorite.  (It does not fit me so well.)
I need to learn how to create ads on Ravelry and I need to figure out if it would be a good idea to sell patterns in other places. Indie knitting pattern designers I know of also sell on Craftsy, Etsy and Patternfish.  Do you ever buy patterns in any of those places?

I'm really hoping for a comment or two! Thanks for reading!
♥♥♥

The Fight Continues or (I Have to) Have a Hart

What my daughter said still remains quite accurate: "Those are fight'n words!"

The Leigh that I started earlier this year was frogged weeks ago. Simultaneously, I found myself swatching for a Hart.  (Both sweaters were designed by my newest favorite designer, Julie Hoover.)  I have become a bit obsessed with Shibui Knits Pebble [48% Recycled Silk, 36% Fine Merino, 16% Cashmere].  Knitting a Hart in Pebble will be a "mindless" long term knitting project.  Mindless knitting is comfort knitting.  I like a good balance of both mindless knitting and challenging knitting each and every day.  

In spite of my proclaimer at the very start of the new year, "I don't think I will ever use any other designer's patterns again", I just have to have a Hart.  It will be black and it will be featherweight and floaty. The type of cardigan you could wear over and over again.  I really want one.  It will work well in my wardrobe.  What more can I say.  (I have to) Have a Hart.

Let me throw in a quick knit tip:  Try remembering when swatching with black yarn... whose stitches, especially at such a fine gauge, are notoriously difficult to count... that, if the same yarn is available to you in a lighter color... use the light color yarn to swatch for the black project.  I had to learn this after a couple of not totally helpful black swatches!

  
I do not need a Leigh.  I loved the idea of a light and loose top made in the Ash colorway of Pebble.  But Leigh is probably a bit too boxy and shapeless for a short person like me.  I don't want to look like I am wearing a gray paper bag.  I will be thinking of an original summer top to make with the ash colored yarn... it will be a design of my own making.  Which will not be mindless knitting, at all.

♥♥♥